3/7/2023 0 Comments Pop lock roll bubblegym![]() ![]() Producers Jerry Kasenetz and Jeffry Katz have claimed credit for coining "bubblegum" for this music, saying that when they discussed their target audience, they decided it was "teenagers, the young kids. Original commercial peak (1968–1972) īubblegum is generally traced to the success of the 1968 songs " Simon Says" by the 1910 Fruitgum Company and " Yummy Yummy Yummy" by the Ohio Express. The Red Baron" ( Royal Guardsmen, 1966), " Ding, Dong! The Witch is Dead" ( The Fifth Estate, 1967), and " Green Tambourine" ( Lemon Pipers, 1967). It has to sound like they mean it." Music critic David Smay argued that disco is merely bubblegum by another name and that since bubblegum is "dance music for pre-teen girls", the genre's scope must therefore include dance-pop and such associated figures as Stock Aitken Waterman and Kylie Minogue, but "Not all dance-pop is aimed at kids and shouldn't be presumed to be disposable anymore than bubblegum." Precursors Īccording to music historian Carl Caferelli, "You could conceivably think of virtually every cute novelty hit, from pre-rock ditties like "How Much Is That Doggie In The Window" to transcendent rock-era staples like " Iko Iko," as a legitimate precursor to bubblegum's avowedly ephemeral themes." He went on to list such "important antecedents" as " I'm Henry VIII, I Am" ( Herman's Hermits, 1965), " Snoopy Vs. In the opinion of music historian Bill Pitzonka: "The whole thing that really makes a record bubblegum is just an inherently contrived innocence that somehow transcends that. There is debate concerning which artists fit the genre, especially for cases such as the Monkees. Bubblegum aims for any part of your body it can get, as long as you buy the damn record." Music critic Lester Bangs described the style as "the basic sound of rock 'n' roll – minus the rage, fear, violence and anomie". Comparing bubblegum to power pop, Mojo writer Dawn Eden said: "Power pop aims for your heart and your feet. The artists were typically singles acts, with songs commonly featuring sing-along choruses, seemingly childlike themes and a contrived innocence, occasionally combined with an undercurrent of sexual double entendre. "pop music with that intangible, upbeat 'bubblegum' sound."."pop music produced in an assembly-line process, driven by producers and using faceless singers"."pop music contrived and marketed to appeal to pre-teens"."the classic bubblegum era from 1967–1972".The 2001 book Bubblegum Music Is the Naked Truth rules out teen pop or boy bands as inherently bubblegum and defines the term as: Occasionally invoked as a pejorative, the "bubblegum" descriptor has several different applications. During the 1970s, the original bubblegum sound was a formative influence on punk rock, new wave, and melodic metal. Commentators often debate the scope of the genre and have variously argued for the exclusion or inclusion of dance-pop, disco, teen pop, boy bands, and especially the Monkees. Most bubblegum acts were one-hit wonders (notable exceptions included the Partridge Family and Tommy Roe) and the sound remained a significant commercial force until the early 1970s. And at the time we used to be chewing bubblegum, and my partner and I used to look at it and laugh and say, 'Ah, this is like bubblegum music'." The term was then popularized by their boss, Buddah Records label executive Neil Bogart. ![]() ![]() Producers Jerry Kasenetz and Jeffry Katz claimed credit for coining "bubblegum", saying that when they discussed their target audience, they decided it was "teenagers, the young kids. The Archies' 1969 hit " Sugar, Sugar" was a representative example that led to cartoon rock, a short-lived trend of Saturday-morning cartoon series that heavily featured pop rock songs in the bubblegum vein. The term also refers to a pop subgenre, originating in the United States in the late 1960s, that evolved from garage rock, novelty songs, and the Brill Building sound, and which was also defined by its target demographic of preteens and young teenagers. Bubblegum (also called bubblegum pop) is a genre of rock and roll and pop music in a catchy and upbeat style that is considered disposable, contrived, or marketed for children and adolescents. ![]()
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